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Slična iskustva
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1. Tina - The Tina Turner Musical
Aldwych Theatre, uto, 5 stu 2024 - sub, 25 lis 2025Od 14,40 €
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2. Disney's The Lion King - London
Lyceum Theatre, uto, 5 stu 2024 - ned, 30 ožu 2025Od 53,80 €
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3. Wicked the Musical
Apollo Victoria Theatre, uto, 5 stu 2024 - ned, 1 lip 2025Od 35,30 €
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4. Phantom of the Opera
His Majesty's Theatre, uto, 5 stu 2024 - sub, 27 ruj 2025Od 35,30 €
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5. Mamma Mia
Novello Theatre, uto, 5 stu 2024 - sub, 27 ruj 2025Od 17,50 €
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6. MJ The Musical
Prince Edward Theatre, uto, 5 stu 2024 - sub, 24 svi 2025Od 28,40 €
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7. Moulin Rouge! The Musical
Piccadilly Theatre, uto, 5 stu 2024 - sub, 24 svi 2025Od 35,30 €
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8. Back to the Future: The Musical
Adelphi Theatre, sri, 6 stu 2024 - ned, 27 srp 2025Od 27,70 €
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9. The Book of Mormon
Prince of Wales Theatre, sri, 6 stu 2024 - sub, 22 velj 2025Od 28,40 €
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10. Matilda the Musical
Cambridge Theatre, uto, 5 stu 2024 - ned, 25 svi 2025Od 28,40 €
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Tickets to: Double Feature
No tickets available
2 ulaznice, pet, 8 stu 2024
Double Feature
“Art and Eros are always superimposed, don’t you find? You cannot separate the two: the model naked in supplication before the artist; the artist exposing himself in trust. The beast of creation is always erect.”
1964/1967. In a rented cottage in Suffolk, a brilliant young film director, deep in making his magnum opus, confronts the ageing star that the studio has imposed on him. Vincent Price is about to walk out on the film, and Michael Reeves’ career hangs by a thread. Across the world, in a strange simulacrum of a Suffolk cottage created on a Hollywood lot, a great director and his star are engaged in a very different sort of power-game, as Alfred Hitchcock and Tippi Hedren take time off from making Marnie for one final confrontation.
John Logan is an American playwright and screenwriter. His other plays include the Tony Award-winning play Red (West End and Broadway), Peter and Alice (West End) and the book for Moulin Rouge (West End, Broadway, International); his screenplays include The Aviator, Skyfall and Gladiator.
Jonathan Kent returns to Hampstead where his previous productions include Good People, The Slaves of Solitude and The Forest.
1964/1967. In a rented cottage in Suffolk, a brilliant young film director, deep in making his magnum opus, confronts the ageing star that the studio has imposed on him. Vincent Price is about to walk out on the film, and Michael Reeves’ career hangs by a thread. Across the world, in a strange simulacrum of a Suffolk cottage created on a Hollywood lot, a great director and his star are engaged in a very different sort of power-game, as Alfred Hitchcock and Tippi Hedren take time off from making Marnie for one final confrontation.
John Logan is an American playwright and screenwriter. His other plays include the Tony Award-winning play Red (West End and Broadway), Peter and Alice (West End) and the book for Moulin Rouge (West End, Broadway, International); his screenplays include The Aviator, Skyfall and Gladiator.
Jonathan Kent returns to Hampstead where his previous productions include Good People, The Slaves of Solitude and The Forest.
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